An intimate portrait of the creative process in nine episodes

Artist William Kentridge’s extraordinary, expansive ‘Self-Portrait As A Coffee-Pot’ is now available to watch worldwide exclusively on the global film distributor and streaming service MUBI, following special previews at Toronto International Film Festival, BFI London Film Festival and IDFA, and its presentation at the Arsenale Institute for the Politics of Representation, curated by Carolyn Christov-Bakargiev, during the Venice Biennale of Art 2024.

Laying bare the creative process, ‘Self-Portrait As A Coffee-Pot’ is a nine-episode episodic series by South African artist William Kentridge, renowned for his animated drawings for projection, as well as his sculpture, theatre and opera productions over the last forty years.

‍

No items found.

Shot in his Johannesburg studio during and in the aftermath of the 2020 – 2022 COVID-19 pandemic and inspired in part by Charlie Chaplin, Dziga Vertov and the innovative wit of early cinema, this lively series of distinct but interconnected vignettes, at turns humorous, philosophical, political and probing, is a hymn to artistic freedom and the power of imagination, even when confronted with the challenge of isolation in enclosed spaces.

Bringing together hand-drawn animations, collage, performance and music, as well as dialogues with collaborators and doppelgängers, the series invites us to step inside the intimacy of the studio, where shared discoveries about culture, history and politics, and profound truths about the ways we live and think today are uncovered through the making of works of art.

Its acquisition by MUBI in March 2024 gave the company exclusive global streaming rights through the purchase of the first of a limited number of editions sold by the artist’s galleries Hauser & Wirth and Goodman Gallery, an unprecedented combination of fine art acquisition and streaming rights.

In addition to streaming, the series has been exhibited as an installation at galleries and museums including the Arsenale Institute for the Politics of Representation, curated by Carolyn Christov-Bakargiev (2024), Hauser & Wirth (2025), Yorkshire Sculpture Park (2025), and Museum Folkwang Dresden (2025).

TEAM

Creator & Director: William Kentridge

‍

Executive Producers: Rachel Chanoff, Joslyn Barnes, Noah Bashevkin

‍

Editors: Janus Fouché, Žana Marović, Joshua Trappler

‍

Consulting Editor: Walter Murch

‍

Director of Photography: Dusko Marović

‍

Produced in association with: Louverture Films

‍

With the support of: Brenda R. Potter, LUMA Foundation, Genuine Article Pictures & Syzygy Foundation

‍

Press

The Spectator ‘When a work lands the excitement is physical’: William Kentridge interviewed

Daily Maverick From studio to screen, Kentridge's Self-Portrait as a Coffee-Pot redefines artistic collaboration

The Brooklyn Rail William Kentridge: A Natural History of the Studio

The New York Times In ‘A Natural History of the Studio,’ Many William Kentridges Add Up to One

Hyperallergic William Kentridge Sees the Universe in a Pot of Coffee

POV Self-Portrait as a Coffee Pot Is the Ultimate Lockdown-era Project

designboom interview with william kentridge on his 'self portrait as a coffee pot' film series

Artnet: There Are a Ton of Shows to See Around the Venice Biennale—Here’s Our Take on What’s Worth Seeing (and What’s Not)

Finestre sull'Arte: William Kentridge presents his new video series on artistic freedom in Venice

Variety: Mubi Takes Global Streaming Rights to South African Artist William Kentridge Series ‘Self-Portrait as a Coffee Pot’